English is my native tongue. My natural accent is indistinguisable.
Some people call it international, mid-atlantic or transatlantic.

I like to say it’s kinda-American-sort-of-British, with Asian undertones. Meaning, I deliver American and British accents neutrally, and Asian accents authentically.

Mandarin is my other mother tongue (I’m bilingual).
 My accent is from Southeast Asia. To Mandarin speakers, I’ll sound Taiwanese or Southern Chinese; not Beijing’s accent.

French is my adoptive tongue. As in, the language adopted me!
I voice it with all the flavours of my American, British, and Asian cultural influences.

 My Training

From Stage to Screen to Studio

The first professional theatre company in Singapore (and incidentally the only Children’s Theatre company for a long while) was where I first learnt the basics of voice and acting. I’ve since trained and performed as a professional actor in Australia, Singapore, Malaysia, USA, Hungary, France, UK. Because my love affair with performing started in children’s theatre, performing for young audiences has always held a special place in my heart.

Little Tykes Theatre in Paris was my platform for sharing stories with children from 2007 to 2017. We were the only English theatre company in Paris (at that time) who performed with and for very small children from the ages of 0 to 8 years. LIttle Tykes’ page is still on Facebook as a happy reminder of all the Little Tykes who came to play with us.

My voice over journey began without me quite noticing. Such is the similarity between the acting world and the voice over world; I first started getting voice over work offers because of my acting skillset. And then I gleamed the rest of my voice over-specific skills and technical knowledge from the wonderful gang at Gravy For The Brain. Although Voiceover Kickstart was where I first got hooked, Edge Studio added to my expertise, and at Larry Hudson’s VO Workouts, I continue to hone my craft.